What to teach after scales and chords
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3
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I’m teaching piano. So far all scales have been covered and soon all family chords will also be done. I’m not trained in reading sheet music and so can’t teach that. So what else to teach now...?
piano chords scales
New contributor
add a comment |
up vote
3
down vote
favorite
I’m teaching piano. So far all scales have been covered and soon all family chords will also be done. I’m not trained in reading sheet music and so can’t teach that. So what else to teach now...?
piano chords scales
New contributor
2
I suggest you take lessons and/or study a lot on your own to learn to read music and develop your abilities as much as possible. That’s an important part of being a teacher: continued learning. Sooner or later your students will figure out they have caught up to you in knowledge. If you want to keep teaching, you’ll have to stay ahead of them by constantly learning. Slightly an answer: teach songs in addition to or instead of chords and scales. That’s what playing is all about: making music. It’s not about memorizing patterns.
– Todd Wilcox
12 hours ago
1
Have you ever taken lessons? If so what did you learn?
– b3ko
12 hours ago
1
Literacy is a must for all human beings in all walks of life. I think it's important that you expand your knowledge by training in reading then teach it when you get better at it.
– ggcg
12 hours ago
what style(s) are you teaching? all scales? which scales specifically?
– Michael Curtis
11 hours ago
add a comment |
up vote
3
down vote
favorite
up vote
3
down vote
favorite
I’m teaching piano. So far all scales have been covered and soon all family chords will also be done. I’m not trained in reading sheet music and so can’t teach that. So what else to teach now...?
piano chords scales
New contributor
I’m teaching piano. So far all scales have been covered and soon all family chords will also be done. I’m not trained in reading sheet music and so can’t teach that. So what else to teach now...?
piano chords scales
piano chords scales
New contributor
New contributor
New contributor
asked 21 hours ago
user308123
162
162
New contributor
New contributor
2
I suggest you take lessons and/or study a lot on your own to learn to read music and develop your abilities as much as possible. That’s an important part of being a teacher: continued learning. Sooner or later your students will figure out they have caught up to you in knowledge. If you want to keep teaching, you’ll have to stay ahead of them by constantly learning. Slightly an answer: teach songs in addition to or instead of chords and scales. That’s what playing is all about: making music. It’s not about memorizing patterns.
– Todd Wilcox
12 hours ago
1
Have you ever taken lessons? If so what did you learn?
– b3ko
12 hours ago
1
Literacy is a must for all human beings in all walks of life. I think it's important that you expand your knowledge by training in reading then teach it when you get better at it.
– ggcg
12 hours ago
what style(s) are you teaching? all scales? which scales specifically?
– Michael Curtis
11 hours ago
add a comment |
2
I suggest you take lessons and/or study a lot on your own to learn to read music and develop your abilities as much as possible. That’s an important part of being a teacher: continued learning. Sooner or later your students will figure out they have caught up to you in knowledge. If you want to keep teaching, you’ll have to stay ahead of them by constantly learning. Slightly an answer: teach songs in addition to or instead of chords and scales. That’s what playing is all about: making music. It’s not about memorizing patterns.
– Todd Wilcox
12 hours ago
1
Have you ever taken lessons? If so what did you learn?
– b3ko
12 hours ago
1
Literacy is a must for all human beings in all walks of life. I think it's important that you expand your knowledge by training in reading then teach it when you get better at it.
– ggcg
12 hours ago
what style(s) are you teaching? all scales? which scales specifically?
– Michael Curtis
11 hours ago
2
2
I suggest you take lessons and/or study a lot on your own to learn to read music and develop your abilities as much as possible. That’s an important part of being a teacher: continued learning. Sooner or later your students will figure out they have caught up to you in knowledge. If you want to keep teaching, you’ll have to stay ahead of them by constantly learning. Slightly an answer: teach songs in addition to or instead of chords and scales. That’s what playing is all about: making music. It’s not about memorizing patterns.
– Todd Wilcox
12 hours ago
I suggest you take lessons and/or study a lot on your own to learn to read music and develop your abilities as much as possible. That’s an important part of being a teacher: continued learning. Sooner or later your students will figure out they have caught up to you in knowledge. If you want to keep teaching, you’ll have to stay ahead of them by constantly learning. Slightly an answer: teach songs in addition to or instead of chords and scales. That’s what playing is all about: making music. It’s not about memorizing patterns.
– Todd Wilcox
12 hours ago
1
1
Have you ever taken lessons? If so what did you learn?
– b3ko
12 hours ago
Have you ever taken lessons? If so what did you learn?
– b3ko
12 hours ago
1
1
Literacy is a must for all human beings in all walks of life. I think it's important that you expand your knowledge by training in reading then teach it when you get better at it.
– ggcg
12 hours ago
Literacy is a must for all human beings in all walks of life. I think it's important that you expand your knowledge by training in reading then teach it when you get better at it.
– ggcg
12 hours ago
what style(s) are you teaching? all scales? which scales specifically?
– Michael Curtis
11 hours ago
what style(s) are you teaching? all scales? which scales specifically?
– Michael Curtis
11 hours ago
add a comment |
4 Answers
4
active
oldest
votes
up vote
12
down vote
With all due respect, you are doing your students a grave disservice by not having them read sheet music from the start. Yes, chords and finger patterns are very important, but nobody can become a skilled pianist without being able to read the charts. Not all music is simple folk tunes! Beyond just learning to read notes and chord groups, there's rhythm, dynamics, pedal applications, and more. There is zero chance of anyone less talented than, say, Felix Mendelssohn, being able to play a Beethoven Concerto just by listening to it.
6
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
2
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
|
show 8 more comments
up vote
9
down vote
All scales? Majors, minors (x3), pentatonics, blues, modes, chromatics, whole tone, diminished?!!
In reality, now's a good time to learn how to read yourself. Being serious - one of the best ways to learn something is to teach it. At the level of your student, you'll be ahead of him, and while you're learning about it yourself, showing him will help you. What better incentive?
On to what next. Being able to play one tune in several keys (scale usefulness) - there has to be a tangible point to learning scales. Just for their own sake is boring. Listening to you play a couple of bars then repeating them. (rhythm and melody). Harmonising a melody. (Happy B'day is a good start). Learning the national anthem (depending where you are!). Just a few ideas.
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
1
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
add a comment |
up vote
6
down vote
If you've taught scales and chords the next natural step is progressions and song structure, resolution and how chords naturally move from one to another. If you don't read music how do you teach songs if at all? By ear. If your student has a specific goal then focus on lessons that lead to that goal. Although in my opinion lessons in an instrument should be general and broad for well rounded development. Last but not least when about technique? Based on your post it almost sounds like you gave your student a list of scales, then a list of chords and not much else. I would imagine that there are many voicings of chords possible on the piano, have you covered these?
1
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
add a comment |
up vote
1
down vote
Put the scales and chords into context to give meaning and purpose to it all. Your students must have a purpose in music (and in life, but that's a slightly more advanced topic). Make the students play actual songs that they like, try to learn to hear melodies and chords by ear, and do performances for an audience, no matter how small. In my opinion, it is extremely important to play for someone and with someone, and perform as often as possible. Performing has to be a completely natural thing, just like talking and other kinds of human interactions. Being in touch with people and having a meaningful, successful role in those interactions gives you perspective and purposeful orientation, which is important for motivation. Make the steps of progress the right size for each student, so they achieve things, without being put down and without feeling that the obstacles are beyond their capacity.
add a comment |
4 Answers
4
active
oldest
votes
4 Answers
4
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
12
down vote
With all due respect, you are doing your students a grave disservice by not having them read sheet music from the start. Yes, chords and finger patterns are very important, but nobody can become a skilled pianist without being able to read the charts. Not all music is simple folk tunes! Beyond just learning to read notes and chord groups, there's rhythm, dynamics, pedal applications, and more. There is zero chance of anyone less talented than, say, Felix Mendelssohn, being able to play a Beethoven Concerto just by listening to it.
6
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
2
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
|
show 8 more comments
up vote
12
down vote
With all due respect, you are doing your students a grave disservice by not having them read sheet music from the start. Yes, chords and finger patterns are very important, but nobody can become a skilled pianist without being able to read the charts. Not all music is simple folk tunes! Beyond just learning to read notes and chord groups, there's rhythm, dynamics, pedal applications, and more. There is zero chance of anyone less talented than, say, Felix Mendelssohn, being able to play a Beethoven Concerto just by listening to it.
6
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
2
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
|
show 8 more comments
up vote
12
down vote
up vote
12
down vote
With all due respect, you are doing your students a grave disservice by not having them read sheet music from the start. Yes, chords and finger patterns are very important, but nobody can become a skilled pianist without being able to read the charts. Not all music is simple folk tunes! Beyond just learning to read notes and chord groups, there's rhythm, dynamics, pedal applications, and more. There is zero chance of anyone less talented than, say, Felix Mendelssohn, being able to play a Beethoven Concerto just by listening to it.
With all due respect, you are doing your students a grave disservice by not having them read sheet music from the start. Yes, chords and finger patterns are very important, but nobody can become a skilled pianist without being able to read the charts. Not all music is simple folk tunes! Beyond just learning to read notes and chord groups, there's rhythm, dynamics, pedal applications, and more. There is zero chance of anyone less talented than, say, Felix Mendelssohn, being able to play a Beethoven Concerto just by listening to it.
answered 13 hours ago
Carl Witthoft
7,89011229
7,89011229
6
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
2
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
|
show 8 more comments
6
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
2
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
6
6
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
I always find it strange that when teaching piano, reading is considered a must, whereas teaching guitar, it's most often something that gets ignored by most - unless it's classical guitar. Never actually understood the reasons for this - except a lot of people who teach guitar don't read themselves. Maybe time for a question... Although as a teacher, I always want students to get to know their instruments way before presenting them with yet another hurdle - dots.
– Tim
13 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim I teach reading when I teach guitar. Although to be fair, I start by teaching how to read tab. It’s not “real” reading but it’s also not obvious. Also for guitar, tab is a good way to begin because the student doesn’t have to learn to figure out where on the neck to play each note. That’s not a problem on most other instruments, and grand staff is practically tab for piano.
– Todd Wilcox
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@Tim, you comment is based on limited experience I suspect. For guitar reading is a must. At least if one is learning from a real certified guitar instructor. None on mine would have let me out w/o reading.
– ggcg
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
@ToddWilcox - as you probably know, I'm not a big fan of tab, but granted, it works, except for the timing issue. But with good tab, it's halfway to 'proper' reading, as the timing is there to help. And of course there's always the big problem of where to play certain notes on the guitar neck. Such a big choice sometimes! Then learning using open strings, which maybe don't get used when one's learned to play better. The plus over piano music is there's only one stave! One good reason to teach 'proper' reading is there's a much bigger choice of music available -play a sax solo on guitar, maybe?
– Tim
12 hours ago
2
2
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
@Tim "where to play certain notes on the guitar neck..." This is (gosh!) an issue with all string instruments. For the bowed set, at least, there are several methods. Some composers specify which string to use, since the timbre of a high note on one string is different from the same pitch on an upper string. The choice is also dependent on performer's planned positioning sequence (of left hand) to simplify playing the passage.
– Carl Witthoft
11 hours ago
|
show 8 more comments
up vote
9
down vote
All scales? Majors, minors (x3), pentatonics, blues, modes, chromatics, whole tone, diminished?!!
In reality, now's a good time to learn how to read yourself. Being serious - one of the best ways to learn something is to teach it. At the level of your student, you'll be ahead of him, and while you're learning about it yourself, showing him will help you. What better incentive?
On to what next. Being able to play one tune in several keys (scale usefulness) - there has to be a tangible point to learning scales. Just for their own sake is boring. Listening to you play a couple of bars then repeating them. (rhythm and melody). Harmonising a melody. (Happy B'day is a good start). Learning the national anthem (depending where you are!). Just a few ideas.
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
1
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
add a comment |
up vote
9
down vote
All scales? Majors, minors (x3), pentatonics, blues, modes, chromatics, whole tone, diminished?!!
In reality, now's a good time to learn how to read yourself. Being serious - one of the best ways to learn something is to teach it. At the level of your student, you'll be ahead of him, and while you're learning about it yourself, showing him will help you. What better incentive?
On to what next. Being able to play one tune in several keys (scale usefulness) - there has to be a tangible point to learning scales. Just for their own sake is boring. Listening to you play a couple of bars then repeating them. (rhythm and melody). Harmonising a melody. (Happy B'day is a good start). Learning the national anthem (depending where you are!). Just a few ideas.
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
1
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
add a comment |
up vote
9
down vote
up vote
9
down vote
All scales? Majors, minors (x3), pentatonics, blues, modes, chromatics, whole tone, diminished?!!
In reality, now's a good time to learn how to read yourself. Being serious - one of the best ways to learn something is to teach it. At the level of your student, you'll be ahead of him, and while you're learning about it yourself, showing him will help you. What better incentive?
On to what next. Being able to play one tune in several keys (scale usefulness) - there has to be a tangible point to learning scales. Just for their own sake is boring. Listening to you play a couple of bars then repeating them. (rhythm and melody). Harmonising a melody. (Happy B'day is a good start). Learning the national anthem (depending where you are!). Just a few ideas.
All scales? Majors, minors (x3), pentatonics, blues, modes, chromatics, whole tone, diminished?!!
In reality, now's a good time to learn how to read yourself. Being serious - one of the best ways to learn something is to teach it. At the level of your student, you'll be ahead of him, and while you're learning about it yourself, showing him will help you. What better incentive?
On to what next. Being able to play one tune in several keys (scale usefulness) - there has to be a tangible point to learning scales. Just for their own sake is boring. Listening to you play a couple of bars then repeating them. (rhythm and melody). Harmonising a melody. (Happy B'day is a good start). Learning the national anthem (depending where you are!). Just a few ideas.
answered 20 hours ago
Tim
94.7k1097239
94.7k1097239
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
1
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
add a comment |
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
1
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Thanks @Tim...All the scales u mentioned have not been taught but Majors and minors (x3) have been covered. Since the other ones were deep subjects and not so useful for normal songs/playing, I didn't concentrate on those. But yes, the scales and chords have been taught with songs in several keys.
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
Also by Harmonising a melody, did u mean playing a tune/song after listening to it..?Also which scales are more important after majors and minors..?
– user308123
20 hours ago
1
1
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
Depends which direction you and student want to go. Pents are interesting - compile a list of a dozen, learn them. Make up your own. Blues scales are pretty good for playing blues! And jazz. Harmonise both ways.
– Tim
20 hours ago
add a comment |
up vote
6
down vote
If you've taught scales and chords the next natural step is progressions and song structure, resolution and how chords naturally move from one to another. If you don't read music how do you teach songs if at all? By ear. If your student has a specific goal then focus on lessons that lead to that goal. Although in my opinion lessons in an instrument should be general and broad for well rounded development. Last but not least when about technique? Based on your post it almost sounds like you gave your student a list of scales, then a list of chords and not much else. I would imagine that there are many voicings of chords possible on the piano, have you covered these?
1
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
add a comment |
up vote
6
down vote
If you've taught scales and chords the next natural step is progressions and song structure, resolution and how chords naturally move from one to another. If you don't read music how do you teach songs if at all? By ear. If your student has a specific goal then focus on lessons that lead to that goal. Although in my opinion lessons in an instrument should be general and broad for well rounded development. Last but not least when about technique? Based on your post it almost sounds like you gave your student a list of scales, then a list of chords and not much else. I would imagine that there are many voicings of chords possible on the piano, have you covered these?
1
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
add a comment |
up vote
6
down vote
up vote
6
down vote
If you've taught scales and chords the next natural step is progressions and song structure, resolution and how chords naturally move from one to another. If you don't read music how do you teach songs if at all? By ear. If your student has a specific goal then focus on lessons that lead to that goal. Although in my opinion lessons in an instrument should be general and broad for well rounded development. Last but not least when about technique? Based on your post it almost sounds like you gave your student a list of scales, then a list of chords and not much else. I would imagine that there are many voicings of chords possible on the piano, have you covered these?
If you've taught scales and chords the next natural step is progressions and song structure, resolution and how chords naturally move from one to another. If you don't read music how do you teach songs if at all? By ear. If your student has a specific goal then focus on lessons that lead to that goal. Although in my opinion lessons in an instrument should be general and broad for well rounded development. Last but not least when about technique? Based on your post it almost sounds like you gave your student a list of scales, then a list of chords and not much else. I would imagine that there are many voicings of chords possible on the piano, have you covered these?
answered 14 hours ago
ggcg
3,369219
3,369219
1
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
add a comment |
1
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
1
1
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
As well as scales/chords, arpeggios are another facet. To be able to belt up and down with them sounds pretty impressive, and can be done within a few weeks.+1 for voicings, both open and closed.
– Tim
13 hours ago
add a comment |
up vote
1
down vote
Put the scales and chords into context to give meaning and purpose to it all. Your students must have a purpose in music (and in life, but that's a slightly more advanced topic). Make the students play actual songs that they like, try to learn to hear melodies and chords by ear, and do performances for an audience, no matter how small. In my opinion, it is extremely important to play for someone and with someone, and perform as often as possible. Performing has to be a completely natural thing, just like talking and other kinds of human interactions. Being in touch with people and having a meaningful, successful role in those interactions gives you perspective and purposeful orientation, which is important for motivation. Make the steps of progress the right size for each student, so they achieve things, without being put down and without feeling that the obstacles are beyond their capacity.
add a comment |
up vote
1
down vote
Put the scales and chords into context to give meaning and purpose to it all. Your students must have a purpose in music (and in life, but that's a slightly more advanced topic). Make the students play actual songs that they like, try to learn to hear melodies and chords by ear, and do performances for an audience, no matter how small. In my opinion, it is extremely important to play for someone and with someone, and perform as often as possible. Performing has to be a completely natural thing, just like talking and other kinds of human interactions. Being in touch with people and having a meaningful, successful role in those interactions gives you perspective and purposeful orientation, which is important for motivation. Make the steps of progress the right size for each student, so they achieve things, without being put down and without feeling that the obstacles are beyond their capacity.
add a comment |
up vote
1
down vote
up vote
1
down vote
Put the scales and chords into context to give meaning and purpose to it all. Your students must have a purpose in music (and in life, but that's a slightly more advanced topic). Make the students play actual songs that they like, try to learn to hear melodies and chords by ear, and do performances for an audience, no matter how small. In my opinion, it is extremely important to play for someone and with someone, and perform as often as possible. Performing has to be a completely natural thing, just like talking and other kinds of human interactions. Being in touch with people and having a meaningful, successful role in those interactions gives you perspective and purposeful orientation, which is important for motivation. Make the steps of progress the right size for each student, so they achieve things, without being put down and without feeling that the obstacles are beyond their capacity.
Put the scales and chords into context to give meaning and purpose to it all. Your students must have a purpose in music (and in life, but that's a slightly more advanced topic). Make the students play actual songs that they like, try to learn to hear melodies and chords by ear, and do performances for an audience, no matter how small. In my opinion, it is extremely important to play for someone and with someone, and perform as often as possible. Performing has to be a completely natural thing, just like talking and other kinds of human interactions. Being in touch with people and having a meaningful, successful role in those interactions gives you perspective and purposeful orientation, which is important for motivation. Make the steps of progress the right size for each student, so they achieve things, without being put down and without feeling that the obstacles are beyond their capacity.
answered 14 hours ago
piiperi
1645
1645
add a comment |
add a comment |
user308123 is a new contributor. Be nice, and check out our Code of Conduct.
user308123 is a new contributor. Be nice, and check out our Code of Conduct.
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2
I suggest you take lessons and/or study a lot on your own to learn to read music and develop your abilities as much as possible. That’s an important part of being a teacher: continued learning. Sooner or later your students will figure out they have caught up to you in knowledge. If you want to keep teaching, you’ll have to stay ahead of them by constantly learning. Slightly an answer: teach songs in addition to or instead of chords and scales. That’s what playing is all about: making music. It’s not about memorizing patterns.
– Todd Wilcox
12 hours ago
1
Have you ever taken lessons? If so what did you learn?
– b3ko
12 hours ago
1
Literacy is a must for all human beings in all walks of life. I think it's important that you expand your knowledge by training in reading then teach it when you get better at it.
– ggcg
12 hours ago
what style(s) are you teaching? all scales? which scales specifically?
– Michael Curtis
11 hours ago